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P a s t   C o n c e r t s

Season 2024-25

A Spanish Requiem

 

Vivanco’s Missa pro defunctis and penitential motets

 

Saturday 28 June 2025,

7.30pm

French Protestant Church of London

8-9 Soho Square, London W1D 3QD

Conducted by David Allinson

The music of Sebastián de Vivanco has for too long been overshadowed by that of his contemporary, Victoria. Superbly crafted, and often a little more adventurous, the quality of his works is at last being recognised. We sing a new edition of his Mass for the Dead. Elegant, luminous and fluid, this work is little-known and deserves its place alongside other Iberian polyphonic Requiems.

 

Our programme also includes penitential motets by Vivanco and his Iberian contemporaries, such as Francisco Guerrero, Alonso Lobo and the teacher of Victoria and Vivanco, Bernadino de Ribera.


We plan to make the first commercial recording of Sebastián de Vivanco's Missa pro defunctis this summer. Please consider supporting us by making a donation on Crowdfunder.

Programme

Vivanco Missa pro defunctis

Vivanco Regem cui omnia vivunt; Parce mihi, Domine; Manus tuae; Circumdederunt me; Versa est in luctum; De profundis; O Domine Jesu Christe

Ribera Dimitte me ergo

Alonso Lobo Tristis est anima mea

Padilla Circumdederunt me dolores mortis

Robledo Salve Regina

Guerrero Hei mihi, Domine

Morales Circumdederunt me gemitus mortis

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Tickets

Advance tickets (limited availability) £15 / £13 concessions

Standard tickets £17 / £15 concessions

Tickets free for under 21s

(under 16s must be accompanied by a paying adult)

The concert includes one interval, and will end at approximately 9:15pm

Penitence and Redemption

 

Lamentations and music for Easter

 

Saturday 5 April 2025,

7.30pm

St. Mary's, Bourne Street,

30 Broune Street, SW1W 8JJ

Conducted by Sally Dunkley

Distinguished singer, scholar and editor Sally Dunkley (The Sixteen, The Tallis Scholars, The Gabrieli Consort) is our guest conductor in a programme for Easter that explores contrasting settings of the Book of Lamentations and music by Jean l'Héritier, pupil of Josquin des Prez.

Programme

Lassus    Aurora lucis rutilat

White Lamentations

Ferrabosco   Laboravi in gemitu

Lheritier   Miserere mei Domine 

Rebelo   Panis angelicus

Crecquillon   Congratulamini mihi

Taverner   Dum transisset sabbatum

Lheritier   Surrexit pastor bonus

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Tickets

Advance tickets (limited availability) £15 / £13 concessions

Standard tickets £17 / £15 concessions

Tickets free for under 21s

(under 16s must be accompanied by a paying adult)

The concert includes one interval, and will end at approximately 9:15pm

Palestrina, Prince of Music

 

Celebrating the composer at 500

 

Saturday 15 February 2025, 7.30pm

Holy Sepulchre London, 
Holborn Viaduct,
London EC1A 2DQ

Conducted by David Allinson

Palestrina’s sacred music blazes with the spirit of the Counter-Reformation, the movement beginning in the second half of the 16th century by which the Catholic Church sought to recover and reinvent itself in response to rebellion, Protestant doctrinal challenge, and territorial losses across swathes of Europe.

 

Working in the great churches and chapels of Rome, Giovanni Pierluigi da Palestrina was Italy’s most famous and prolific native-born composer of the High Renaissance period. During his career serving the centres of Catholic power, he provided music for every ceremony and feast, from intimate, expressive settings to majestic, audacious and even bombastic works. Such was the quality of his invention that his music has never fallen out of repertoire over succeeding centuries.
 
While consciously exploiting and consolidating styles and techniques inherited from continental composers all the way back to Josquin, Palestrina was also an innovator, especially in his polychoral music and in his word-setting, which can be vivid but never descends into superficiality. Yet history has too often pigeonholed him as a conservative, as the man who ‘saved’ church music in response to the edicts of the Council of Trent, or deployed as the tool of dreary pedagogues whose pupils were forced to write codified imitations of his counterpoint.
 
Our programme celebrates the 500th anniversary of Palestrina’s birth with a concert designed to showcase the quality, range and immediacy of his music. Our selection includes some of his finest compositions, from the emotive Stabat Mater and the intense Lamentations for Good Friday to the sunny Surrexit pastor bonus for Easter Day, with a rush of thrilling Pentecost pieces along the way.

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PROGRAMME

 

Palestrina Jesu, rex admirabilis
Palestrina Sicut cervus – Sitivit anima mea
Palestrina Veni creator spiritus
Palestrina Dum complerentur dies Pentecostes
Palestrina O Domine Jesu Christe
Palestrina Lamentations for Good Friday (Book III), III
Palestrina Stabat Mater
Palestrina Nunc dimittis 
Palestrina Spiritus sanctus replevit
Palestrina Veni sancte spiritus
Palestrina Surrexit pastor bonus

Tickets

Advance tickets (limited availability) £15 / £13 concessions

Standard tickets £17 / £15 concessions

Tickets free for under 21s

(under 16s must be accompanied by a paying adult)

The concert includes one interval, and will end at approximately 9:15pm

A Flemish Christmas

Sacred song in midwinter

 

Saturday 14 December 2024, 7.30pm

St Mary’s, Bourne Street

30 Bourne Street, Belgravia

London SW1W 8JJ

Conducted by David Allinson

This December, The Renaissance Singers mark the season of Advent and herald the coming of Christmas with some of the most arresting and brilliant music written in the decades around 1500.

 

With a special focus on Mary, mother of Jesus, we sing music from the cathedrals and chapels of the Franco-Flemish flatlands, by  composers including Ockeghem, Obrecht, Compère and Mouton — composers too often overshadowed by their contemporary, Josquin. 

 

From the ravishing Nesciens Mater by Mouton, a canonic tour-de-force which casts an intimate portrait of the Virgin nursing the baby Jesus, to the fervent yearning of Obrecht’s titanic Salve Regina, and on to the textural complexity of his Factor orbis, a glorious and rarely-performed 'musical sermon', this is no ordinary Christmas concert.

 

Join us on a path less travelled as we explore the textures, techniques and emotions of music which will move and delight.

Programme

Antoine Busnois Noel, noel

Antoine Brumel Noe, noe, noe 

Loyset Compère O admirabile commercium

Jean Mouton Noe, noe, psallite

Johannes Ockeghem Salve Regina

Jacob Obrecht Factor orbis

Jacob Obrecht Salve Regina

Antoine Mornable Nesciens Mater 

Dominique Phinot Virgo parens 

Jean Mouton Nesciens Mater

Tickets

Advance tickets (limited availability) £15 / £13 concessions

Standard tickets £17 / £15 concessions

Tickets free for under 21s

(under 16s must be accompanied by a paying adult)

Between rehearsals for our recent Christmas concert one of our singers, Barbara, told us what it's like to sing the soaring soprano lines we love.

Saturday 19 October 2024   

7.30 pm
St Stephen’s Rochester Row
London SW1P 1LE
 
Conducted by David Allinson

Compline is the final service of the day in the Christian monastic tradition, said or sung just before the community retires for the night. With its poetic words invoking sleep and praying for protection, compline can be a meditative, spiritual experience, whatever one’s beliefs.

 

In the twentieth century, perhaps surprisingly, this minor medieval Office took on new life in the college chapels of the Anglican church (in the face of Synod resistance), and in recent decades it has become immensely popular with church singers and public audiences.

 

Fairly brief and without sermon or communion, the service of compline comprises a set selection of chanted psalms, hymns and antiphons whose mystical, opaque texts invite listeners to reflect on themes of mortality, penitence and mercy as the evening light fades.

 

With ancient chant always at the centre of compline pieces, Renaissance composers produced radiant and reflective polyphony for compline. Our programme includes stunning works by Josquin, Tallis, Sheppard and Byrd and some relative rarities – such as Bouzignac’s distilled setting of In pace, and the rich setting of the Pater noster by Handl (also known as Gallus).

 

The second half of our concert will include the compline liturgy, with attenders invited to sing the liturgical chant sotto voce with the choir, or to listen, as preferred, but to feel the collegiate power of sharing compline in the evening.

 

 

Programme included

 

G. Bouzignac In pace in idipsum a4

J. Sheppard In manus tuas a4

G.P. da Palestrina Salva nos a4 and Nunc dimittis a4

C. Tye Ad te Clamamus a5

T. Tallis In manus tuas a5

W. Byrd Miserere mihi, Domine a6

J. Mouton Salva nos, Domine a6

J. Sheppard Libera nos, salva nos a7

J. Handl (Gallus) Pater noster a8

Josquin des Prez Nunc dimittis a4

Tickets

 

Advance tickets (limited availability) £15 / £13 concessions
Standard tickets £17 / £15 concessions

Tickets free for under 21s (under 16s must be accompanied by a paying adult)

Lighten our darkness

Music where day becomes night

© 2022 The Renaissance Singers                                                Registered charity number 1015930

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